Monthly archives: July 2007

Drumming for the Jasmine Minks

Sat­ur­day 07 07 07 saw quite a momen­tous night for Chim­pan­man, and for Jon in par­tic­u­lar. At Jon’s insti­ga­tion, and through the late devel­op­ment of MySpace, we man­aged to per­suade Jim Shep­herd, founder mem­ber of Cre­ation band the Jas­mine Minks, to come from Fort William to Northamp­ton and front Chim­pan­man ‘as’ the Jas­mine Minks.

I’m not sure this means any­thing to any­one who wasn’t involved, but the fol­low­ing dynam­ics were at play: A for­mer much-lauded indie artist was play­ing his first gig in a num­ber of years,with a band of peo­ple he had never met before until that night. He was play­ing to that rare thing an audi­ence of 100 atten­tive and enthu­si­as­tic lis­ten­ers. He was hap­pily rein­tro­duced to for­mer label mate the Jazz Butcher, Pat Fish, who also played a set. He was play­ing some of his most pop­u­lar songs for the first time in 20 years; he had writ­ten and pre­vi­ously only played these songs at what must have been a height­ened and life-defining time: the time of the first artis­tic out­put, of much promise and much sub­se­quently denied poten­tial. Add to that the fact that Jon was play­ing in a band with a musi­cian whose work he had loved for many years, and whose songs had been era-defining. And this was Jon who, long before Chim­pan­man drifted together, had defin­i­tively aban­doned the idea of being in a band, and had sold his bass guitar.

He sold it to me.

We played four or five songs with Jim Shep­herd, and Jim also played a few songs solo. As men­tioned, Pat Fish, the Jazz Butcher, played a set. Jim, hav­ing walked fairly ret­i­cently into the room at the start of the night, was over­come with enthu­si­asm for the songs we’d played, the efforts Chim­pan­man had put in to make it a good night, and the expe­ri­ence of the evening.

I am not expressly a fan, and not enthu­si­as­tic for play­ing live. But I would change noth­ing about hav­ing given Jon back his bass gui­tar, learned a few indie pop clas­sics, and wit­nessed the whole thing from my place, behind the drums.

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